Charles & Emma Darwin
Yes, you're right: I am named after my grandfather's grandmother, Emma Darwin, née Wedgwood. She married her cousin Charles Darwin in 1839, and their second son, George, was my great-grandfather. If you are interested in knowing more about my work in this area, do contact me, and I'll be delighted to discuss the possibilities.
I've blogged in "The Ancestral Elephant" about how my ancestry does - or doesn't - relate to my work. Then, just as The Mathematics of Love was published, I was asked to write a piece about it which the Daily Telegraph titled "Emma Darwin may not be famous, but she's already a household name". If you run your eye down those pieces you'll see that my feelings about it all are complicated.
And yet, as I've written and taught and thought more about how creativity works, I've become ever more interested in the particular ways that creative thinking - in the broadest sense - has played out in my own family tree. More recently, I have lectured in England, Mexico and Spain about it, and if you'd be interested in a similar talk for your institution or organisation, do get in touch via the Contact form.
So, what is it about creativity in my family? Everyone knows that the family has been full of scientists from Charles' grandfather Erasmus Darwin onwards. Quite a few know that the family tree is closely connected with an even bigger dynasty which straddles science, the arts and politics: the Wedgwoods. But fewer people know that the poets Frances Cornford and Ruth Padel are Darwins, as were the composer Ralph Vaughan Williams, and the artist Gwen Raverat, who was part of the Bloomsbury Group. In my and Ruth's generation are the musicologist Jeremy Barlow and the distinguished sculptor Phyllida Barlow RA. Gwen's cousin Robin Darwin was Principal of the Royal College of Art for three decades, while her brother, my physicist grandfather, worked with Rutherford and Niels Bohr and during the Second World War was head of the National Physical Laboratory.
When my novel, The Mathematics of Love, was published, I was surprised how many people assumed that the title was meant to be a contradiction, a paradox: they thought I must mean that mathematics and love are opposites. And in the wider sense, to the ordinary person in the street, science and the arts are thought to be opposites: science is about facts and the arts about feeling; science is objective, the arts subjective; science analyses the world under our feet and above our heads, the arts synthesise it into something new. But of course it's not nearly as simple as that: Gwen Raverat talks about her physicist father as an artist and "the most romantic man alive", and Ruth Padel is deeply involved in the science of ecology in saving the tiger.
So when I was asked to talk about my family - first at Birmingham University later at universities in Mexico and Spain - I drew on my own experience as a practising novelist and teacher to explore how creativity works across all disciplines, and specifically in among all the branches of my family tree: from Erasmus Darwin writing poetry to explain evolution before his grandson was born, to my singer-musicologist sister Carola Darwin commissioning songs to celebrate the bicentenary of that grandson's birth.